ABSTRACT RHYTHM IN TIME DIGITAL ART WITH MUSIC PLAYLIST JAZZ/futuramarge Pop Wine by Ted Curson & Georges Arvanitas Trio by Alan Silva

Abstract Rhythm in Time DigitalART My Recording_44 by Alan Silva from alan silva on Vimeo.

This type of geometric Spontaneous Composition holds a fascination for me. It’s a way of using the “other”, sometimes neglected elements of Abstract Rhythm in Timemusic like texture, color, density, transparency, spatial relationships...rhythmic motives, rather than Time pulse. It represents an experience of music where emphasis is on the vertical, profound plane rather than on the narrative expression on the horizontal linear plane musicians commonly use.

Playing JAZZ FUTURA jazz playlist With Abstract Rhythm in Time DigitalART by Alan silva go to the links below and paste them in a new page and you can listen to the music in preview or you can take a prescription in futuramarge, thank you. Alan Silva - Enjoy the ART Play your Jazzplaylist to
https://futuramarge.bandcamp.com Futura Ger 26 Ted Curson (trompette & trompette piccolo), Georges Arvanitas (piano), Jacky Samson (contrebasse) & Charles Saudrais (drums) Pop Wine Enregistré le 18 juin 1971 au studio Europasonor à Paris ________________ For much of his career as a sideman and bandleader, trumpeter Ted Curson was always near the spotlight but never directly in it. Raised in Philadelphia, he hails from the same city that produced legends like Lee Morgan, John Coltrane and Archie Shepp. As a teenager, he met his idol, Miles Davis, who gave Curson a business card and told him to call if he ever made it to New York City. He moved there when he was 21 and called Miles soon after. “Miles said ‘Ted Curson, that little guy from Philadelphia?’” Curson told All About Jazz in 2005. “‘We’ve been waiting for you for three years! Where the hell have you been?’” From there, he landed gigs with two would-be legends—avant-garde jazz pioneer Cecil Taylor and multi-instrumentalist Charles Mingus—and started releasing his own music in 1961. His sound coalesced on Pop Wine, the 1971 album recorded in Paris, France with the Georges Arvanitas Trio. Across five tracks, Curson navigates the full spectrum of his artistry, wielding strong trumpet blasts against the band’s airtight arrangements. It makes for a stellar mix of funk, avant-garde, Latin jazz, hard bop and free jazz. On “L.S.D. Takes a Holiday,” Curson hovers above the mix, ducking in and out while pianist Arvanitas, drummer Charles Saudrais, and bassist Jacky Samson improvise a blazing score. On “Quartier Latin,” Curson takes a backseat completely; Samson and Arvanitas fill the space with piercing strings and keys. Almost 50 years on, Pop Wine is still one of the best jazz albums you likely haven’t heard yet. -Marcus J. Moore / Bandcamp daily.bandcamp.com/seven-essential-releases/essential-releases-sept-11-2020 credits